It’s time for Congress to fire the FCC chairman

It’s time for Congress to fire the FCC chairman

Gigi Sohn—who served as counselor for former FCC Chairman Tom Wheeler—in an op-ed for The Verge:

The Senate vote on Pai is imminent. When it happens, it will be a stark referendum on the kind of communications networks and consumer protections we want to see in this country. Senators can choose a toothless FCC that will protect huge companies, allow them to further consolidate, charge higher prices with worsening service, and a create bigger disconnect between broadband haves and have-nots. Or, they can vote for what the FCC is supposed to do: protect consumers, promote competition, and ensure access for all Americans, including the most vulnerable. It shouldn’t be a hard decision, and what we’ve seen over the past eight months makes the stakes clear.

Remember how we thought the fight to preserve net neutrality was over? Ajit Pai is the reason we have to continue that fight.

Meet the internet’s go-to inside source for film’s booming trailer culture

Meet the internet’s go-to inside source for film’s booming trailer culture

There is definitely a huge part of online film culture that is centered around trailers. I personally would love it if studios would put more effort into making the trailers a part of the story, like the ancillary material that is being released for Blade Runner 2049. These not only deepen the story, they lure you into the world. But, as much as I prefer those, a movie theater isn't going to run a seven minute short film set in the universe of an upcoming film as a trailer — not without some form of consideration from the studios. Until that changes, the two minute spoilertastic trailer will remain the norm.

Kneeling for Life and Liberty Is Patriotic

Kneeling for Life and Liberty Is Patriotic

Conor Friedersdorf for The Atlantic:

These original patriots risked death and pledged their sacred honor to those truths, for which they are properly honored, even in spite of their serious failures. Now as then, allegiance to those Founding principles is what defines a patriotic American, not whether he or she stands or kneels while an anthem about the flag is performed.

Trump is not a patriot. He is a self-aggrandizing narcissist with racist and fascist sympathies who used race-batiing and fear-mongering to further his own fortunes. He does not care about America, or it's dream. He doesn't care about its people, just himself and select progeny. The real patriots stand—or kneel—in opposition to Trump.

Reading

Reading

Growing up, whenever we traveled for vacation, I would inevitably have a bag filled with a half-dozen books in tow. They could be library books or books that I'd read a thousand times, but inevitably, I would’ve made my way through most of the books by the time our vacation was over.

Now, I've never really stopped reading. I spend hours a day perusing various news sites, online tech journals, and reading entertainment industry trades. In all honesty, I probably read as much today as I ever read in the past. The only difference is I stopped reading books.

This has always been one of those odd battles for me. I’ve never struggled with reading, but even as a kid, my mom—ever the teacher and librarian—would struggle to get me to read fiction. She even credits my discovery of Star Wars—and my desire to consume everything related to it—with getting me to read something other than a history book. But after the English classes of middle school, high school and college filled with classic pieces of literature, fiction has once again fallen to the wayside. I would still read, but I wouldn't be shocked if I was averaging only one-to-two books of fiction per year after I transferred to film school. In high school, I would’ve been reading one-to-two a month.

While the internet is a worthy replacement for non-fiction and news, I decided that my reading habits needed a kick in the proverbial behind. So, a few weeks ago, I started reading. A lot.

In the past three weeks, I’ve read the first three books in The Expanse series by James S. A. Corey, two books by John Scalzi (if you are a Trek fan, you need to read Redshirts), and, even though it was non-fiction, I also read Wil Wheaton’s Just A Geek. And because today is Hobbit Day, I’ve also started doing an in-depth re-read of The Lord of the Rings, something that’s been on my to-do list for awhile. Now, much of this reading onslaught is due to me currently enjoying hashtag funemployment, so it’s inevitable that I will eventually slow down. But I hope that this current effort pays off to become a good habit.

 

D&D Reader app brings paper reference books to your tablet

D&D Reader app brings paper reference books to your tablet

As much as I've wanted digital copies of the Dungeons & Dragons Core Rule books, considering that you have to pay-to-unlock all content for D&D Beyond and that the average player already has purchased physical copies of 5th Edition rulebooks, it's starting to feel like the players are being nickel-and-dimed. 

If Wizards integrated Reader and Beyond—where I could buy the Player's Handbook in one and have access to it on the other service—this would definitely become a instant buy for me. Until then, I have the Fight Club app by Lion's Den and a hardcover copy of the rulebooks.

Still Flyin'

Still Flyin'

Back in 2005, when I first saw the trailer for Serenity, I had never heard of Firefly. All I knew as the trailer played was that I found something appealing about the film. I didn't know what it was, but I knew I wanted to see it. Yet, the world conspired against me, and I never saw Serenity in theaters until last year. But I did have a teacher who wanted to nurture my inner aspiring filmmaker, and he loaned me a copy of Firefly on DVD. I've been a Browncoat ever since.

Firefly came at an interesting time. It came out before the "TV Renaissance", and I was usually quick to judge television as the lesser artform compared to my beloved film. Firefly helped change that. Within a few minutes, I was sucked into a universe the way Star Wars and Lord of the Rings had sucked me in before. It felt real and alive, not stiff and sterile like the Star Trek: The Next Generation reruns on TV. I lurked on the fan forums, I read the comics, I even bought CDs of fan music. Firefly crept into the heart of my creative process, and even now when I'm working on a script, I see little hints of it sprinkled throughout. Firefly is what made me start to take television seriously.

A selfie I snagged with Nathan Fillion at Comic-Con in 2009.

The show may have first aired fifteen years ago, but you can't stop the signal.


Logan StoodleyBrowncoat, Firefly
Filmmakers are using AR and Apple’s ARKit to create extravagant short films

Filmmakers are using AR and Apple’s ARKit to create extravagant short films

Julia Alexander for Polygon:

Duncan Walker, an independent game developer based in London, England, used Apple’s ARKit and Unity 3D to make a short film in his iPhone 7. The film took a weekend to create and edit — something that would have taken weeks, if not longer, to do prior. The visual effect of the soldiers marching through the town are 3D rendered and, most importantly, done entirely on his phone. Moving the iPhone around his neighborhood and using the scenery involved, Walker is able to add virtual effects to the real world setting and produce a short narrative film.

Some of the videos they share are pretty rough, but the potential of AR filmmaking is exciting. It can only get better.

A telemarketer called my elevator

A telemarketer called my elevator

John Timmer for Ars Technica:

After a brief, wonder-filled period when the Do Not Call Registry seemed to be like magic, telemarketers are back. It's now rare for me to go a day without offers to help with the student loans I paid off decades ago or the credit card balances I studiously avoid having. I usually manage to hang up before the recording can finish its first sentence. But in this case, I stepped on to an elevator with a pitch in full swing and had to listen to it for six floors, not to mention the time involved in the doors opening and closing.

Until a few years ago, I never got telemarketing calls on my cell phone, but now I get about two robocalls a week. But a telemarketer calling an elevator? Robocalls are getting even more rediculous.

Logan Stoodley
They Probably Couldn't Even Find It On a Map

They Probably Couldn't Even Find It On a Map

Back in college, before I decided to go off and study film, I studied English. I had one teacher who spoke with pride about her dog-eared, note-ridden books. She encouraged the class to take pencils to our books, to underline passages we liked and write notes in the margins. Since we were college students and had to buy copies of the book, she thought that we aught to make the books our own. She wanted our books filled with our questions about character motivations, observations and insights we had, to dig dig deep into the text, becoming active readers rather than passive ones. I never wrote a note in that book. I haven't written anything in any book. For some reason, I never could. It probably doesn't help that my mom worked as a librarian for a bit when I was in middle school, but in my eyes, writing notes in a book was no better than graffiti on a wall (which is one reason why I thank jeebus for ebooks, but more on that at another time).

But, I now admit that I was wrong. If you own the book, writing a note or underlining a passage, all to help your understatnding, that fine. Go for it. But this. This is desecration:

IMG_0469.jpg

On page 21 of an LA Public Library copy of Caliban's War—Book 2 of The Expanse—some dumbfuck decided to spew their prejudice onto the book. I bet this fuck couldn't find Punjab on a map. I could probably hand them a map that has Punjab highlighted with arrows pointing to it from every direction, and they still wouldn't be able to find it. If I said it was a mountainous region shared by Turkey, Iran, and Iraq, as far as they would know, that's right. Because that's totally where Punjab is! Except, it isn't. That would be Kurdistan. Punjab is in India and Pakistan.

"But, that's not fair, Logan!" an imaginary blog reader might cry out. "Just because they're prejudiced, doesn't mean they're geographcially illiterate!" True, imaginary reader, but even with a casual reading and interpretation of the fucking book, I can still safely say that they're a fucking idiot. Why, you may ask? Because one of the major points of The Expanse book series—at least in the 2.25 books I've read so far—is that humanity needs to put aside it's petty differences. Despite that, the dumbfuck still wrote "Fuck Punjabis" in the book. Why? Beacuse he's a dumbfuck.

So, to the aforementioned dumbfuck: Were you paying attention? Were the words too big? Or is your head wedged too tightly up your own ass? I bet that headupassification leads to oxygen deprivation and the hindrance of one's own mental faculties.

But, most importantly, my dear dumbfuck, please don't write it in a fucking library book. Go out, buy a copy, and then go to town defacing that one instead. Acutally, no. Don't do that. Don't write your assinine racism in the book. Just read it. Read lines like this one, from the third book in the series, Abaddon's Gate

"The Ring didn't put us on alert," he said. "It's the Martians. Even with that thing out there, we're still thinking about shooting each other. That's pretty fucked up. Sorry. Messed up."

"It seems like we should be able to see past our human differences when we're confronted with something like this, doesn't it?"

My dear dumbfuck, read and understand what the book was saying about humanity—that despite all our differences, we are still one people. And dumbfucks who right "Fuck Punjabis" in a book are a part of the problem.

Rotten Tomatoes ratings don't hurt box office returns, study says

Rotten Tomatoes ratings don't hurt box office returns, study says

From John Horn's interview with Yves Bergquist—a data scientist who studies the entertainment industry at University of Southern California—for The Frame. 

I think the elephant in the room is innovation. We're in the post-Game of Thrones, post-Breaking Bad world of entertainment, where studio executives know that they need to innovate in the way that they tell film stories. And a lot of my research is focused on finding out mathematically where in the film they can innovate and where they have to stick to the canons. The main issue with this is, 'How do we innovate in a film that is a billion dollar or two billion dollar bet?' If we innovate too much, it's going to miss its audience. If we don't innovate enough, it's going to be boring. So there's this median point which, believe it or not, we can actually calculate mathematically, and that's where a lot of my research is going.

The whole piece is five minutes, and worth a listen.

How "Game of Thrones" plans to avoid leaks of season 8's ending

How "Game of Thrones" plans to avoid leaks of season 8's ending

From Mike Hirsch of the Morning Call, a small Pennsylvania newspaper that somehow landed this exclusive:

“I know in Game of Thrones, the ending, they’re going to shoot multiple versions so that nobody really know what happens,” HBO’s Casey Bloys said. “You have to do that on a long show. Because when you’re shooting something, people know. So they’re going to shoot multiple versions so that there’s no real definitive answer until the end.”

The real twist: All the endings they shoot make it into the final episode, confusing everybody.

Logan StoodleyGame of Thrones
Radiorama

Radiorama

Good news, everyone! The team at Nerdist worked with Matt Groening and David X. Cohen to put together an acutal, factual Futurama radio drama with the entire cast reprising their roles from the oft-canceled show.

Logan Stoodley